Monday, November 13, 2006

Friday Dec. 1st 2006 Why Mao? Why Now?


The Centre for Cultural Studies of Goldsmiths College presents a day conference on Maoism

Friday Dec. 1st 2006 Cinema Goldsmiths College Main Building 1-6:30 PM
1:00 PM
Introduction: Why Mao? Why Now?
Maude Colville
1:25 PM
The Flaming Forests of Jharkland: Everyday life between Revolution and the State in Eastern India
Alpha Shah
2:05 PM
The Black Panther Party and Mao
Sukant Chandan
2:45 PM
Break
3:05 PM
The Fate of Friend and Enemy in the Village called Peace and Benevolence
Michael Dutton
3:45 PM
Learning with Mao: Revolutionary Pedagogy in Post-Althusserian Thought
Alberto Toscano
4:25 PM
Break
4:35 PM
Maoism and the Call of the Future: Bob Avakian and the Next Synthesis
Bill Martin
5:55 PM
Panel and Discussion
6:30 PM
Reception

Maude ColvilleIntroduction: Why Mao? Why Now?
Why have a conference on Maoism in a heart of 21st century post-industrial post-colonial European Capitalism? What interest would Maoism hold for an Urban Bourgeois Institution of Intellectuals in an era in which Communism allegedly has been historically ‘surpassed’ and Mao’s work and influence has been maligned internationally as ‘Democidal’? Two decades after China itself began its own ‘De-Maoification’? Is it an art school’s Post-Modern Nostalgic fondness for Totalitarian Trinkets? Why focus on Maoism in particular out of all forms of Marxist-Leninism? A Taste for the Oriental and Exotic, or did Mao’s thought contribute something vital to the international communist struggle? Why does Maoism continue to inspire theory and revolutionary struggle far beyond the bounds of China and Chinese Culture, beyond the divisions of East and West, North and South? Why has Maoism had such a strong international philosophical influence? This small day conference attempts to address those and other questions by looking at different currents of Maoist thought and practice in the US, France, India and China.
Maude Colville is a PhD student of Cultural Studies at Goldsmiths College. She is doing her doctoral research on the representation of the attacks of Sept. 11th 2001 as Sublime. Her research interests include the relationship between democracy, violence and revolution; the Haitian Revolution, Spinoza, Hegel and Qur’anic Democracy.

Alpa Shah The Flaming Forests of Jharkhand:Everyday life between Revolution and the State in Eastern India.
In the forested plateau of Jharkhand, Eastern India, live some of the country's most marginalised populations, its *adivasis*. Despite containing some of the country's richest mineral wealth, this is the India that is often considered a place where, 'nobody goes, the wild east, the subcontinent's heart of darkness' (The Independent Magazine, 11 March 2006: 17). In recent months, however, this part of India has gained increasing international attention as the media eye turned to its flaming forests - the rural spread of underground armed guerrillas, commonly called the Maoists or the Naxalites, heirs to the revolutionary ideology of Marx, Lenin and Mao Zedong. In March 2006, the Indian Prime Minister, Manmohan Singh, declared the rebels as the 'single biggest security threat' the country has ever faced. The State has publicly waged a war against the Naxalites and rural people in Jharkhand are often caught between the forest fires. This paper explores how and why the Maoist revolution is spreading through Jharkhand. Blurring the boundary between the state and the 'terrorist', the paper shows the initial spread of the revolution to be dependent on the control over a market of protection to access the informal economy of the state. With the increasing strength of the revolution, the paper outlines pressing questions for future research on the relationship between ideology and practicalaction.
Alpa Shah, Lecturer of Anthopology Goldsmiths College, University of LondonBorn in Kenya, I emigrated to England in 1991 where I was awarded a bachelor's degree in Geography from the University of Cambridge (1994-1997), a Masters (1997-1998) and a PhD (1999-2003) from the Department of Social Anthropology at the London School of Economics and Political Sciences.My doctoral research took me to the state of Jharkhand in Eastern India. Here, I explored international debates of postcolonial development around the state, democracy and corruption, labour migration and the environment, the development of indigenous movements and the spread of revolutionary armed guerrillas – the Naxalites. I considered the politics of how diverse people in rural Jharkhand experience these issues and how, in particular, the local appropriation of global discourses can maintain a class system that further marginalises the poorest. I am currently writing a monograph on this work entitled, 'In the Shadows of the State: Indigenous Politics in Jharkhand, India'.I will continue pursuing these research interests in Jharkhand. I also intend to theoretically and empirically explore the relationship between migration, identity, law, citizenship and the nation-state, tracing the genesis of changing British immigration laws and their differential affects on people moving between India, Kenya and Britain. I was offered a teaching position in the anthropology department at Goldsmiths in 2003. Here, I convene a Masters programme in Development and Rights and also teach courses on the Ethnography of South Asia and Contemporary Social Issues. I am interested to hear from students who would like to pursue research on adivasis, indigenous politics, and anthropology of the state, violence, revolution, development and environment. Special Edited Journal Volume-2006 with T. Kelly. 'A Double Edged Sword: Protection and State Violence'. With an Introduction. Critique of Anthropology 26. Refereed Journal articles:2007 In press 'Keeping the state away': democracy, politics and imaginations of the State in India's Jharkhand. In Journal of Royal Anthropological Institute. March issue.2006 'Markets of Protection: The Maoist Communist Centre and the State in Jharkhand, India.' In Critique of Anthropology. (Special edited collection by T. Kelly and A. Shah) 26: 297-314. Also in Pratten, D. and A. Sen (2007) Global Vigilantes. London: Hurst. 2006 'The Labour of Love: Seasonal Migration from Jharkhand to the Brick Kilns of Other States in India.' In Contributions to Indian Sociology (n.s). 40 (1) 91-119.2003 with Lewis, D., Bebbington, A.J., Batterbury, S.P.J., Olson, E., Siddiqi, S., and Duvall, S. 'Practice, Power, Meaning: Frameworks for studying organizational culture in multi-agency rural development projects'. In Journal of International Development. 15, 1-17.Film: 2002 'Heads and Tales'. Co-Directed with Ajay TG. A Jandarshan Production. A 22 minute documentary film in English and Hindi on tradition and politics in Jharkhand.

Sukant Chandan
The Black Panther Party and Mao
Possibly the greatest inspiration internationally for the Black Panther Party was Mao Tse Tung, and the leadership which the Chinese Community Party gave the general worldwide anti-imperialist insurrection at the time. The main question that will be expored is: How beneficial was it for the first national armed and radical organisation of the Black masses in the USA to be identified so closely with Communist China and Mao?
Sukant Chandan is a political analyst who specialises in radical struggles and insurgencies in the USA, the Middle East and Ireland.

Michael Dutton The Fate of Friend and Enemy in the Village called Peace and Benevolence
The story of Mao in contemporary China is the tale of political aesetheticisation. From trinketisation to the so-called 'Red Industry' Mao and his politics are being commodified.
I will highlight this process through telling the tale of two museum projects that are being inauguratedon either side of the small village of Anren, in China's Sichuan province. One museum was built to commemorate the life of a reviled landlord but has now become a stately home, while the other is a new museum designed to aestheticise the process of Cultural revolution. Together, they tell us of the fate of Maoism in contemporary China.
Michael Dutton, Professor of Politics, Goldsmiths College University of LondonMy research is characterized by a strong interest in contemporary social and cultural theory wed to a specific 'archive' called China. This has led to a range of rather disparate set of issues that quite often move my work out of the specifics of China. My current interests include an investigation of the politics of the gift, a study of the friend/enemy distinction, and an appreciation of the importance of everyday life in the flow of politics. Some Recent Publications: Policing Chinese Politics: A History (Duke University Press 2005).‘From Culture Industry to Mao Industry’, boundary 2, Vol. 32, No. 2 (2005), 151-168.‘Mango Mao: Infections of the Sacred’ Public Culture, Vol. 16, No. 2 (2004),161-186. Streetlife China (Cambridge: Cambridge University Press, 1998).

Alberto Toscano Learning with Mao: Revolutionary Pedagogy in Post-Althusserian Thought
The recent work of Alain Badiou and Jacques Rancière has foregrounded a thinking of uncompromising intellectual egalitarianism, pitted against the philosophical traditions of transcendentalism, naturalism and intuitionism. In this presentation, I wish to excavate the specifically Maoist roots of Badiou’s and Rancière’s commitment – against the Althusserian notion of ‘science’ – to an axiomatic notion of equality, distilled in the philosophical slogan: ‘people think’. In particular, I want to contrast Badiou’s and Rancière’s reflections on political and philosophical pedagogy to Mao’s early writings on schooling and to the policies on intellectuals in the Cultural Revolution
Alberto Toscano, Lecturer of Sociology at Goldsmiths College, University of London Research interests focus on contemporary social theory and philosophy; Marx and Marxism; recent French thought, in particular the writings of Alain Badiou, Gilles Deleuze, and issues around political ontology; biopolitics; anti-capitalism; theories of political subjectivity; collective and technological individuation (Gilbert Simondon); vitalism and neo-monadology (Tarde, Whitehead); Italian Marxism and operaismo (Panzieri, Tronti, Negri); debates on post-Fordism, immaterial labour and cognitive capitalism; the historical materialist geography of David Harvey; the link between religion and politics (fanaticism, messianism, and political theology). Recent publications include: The Theatre of Production: Philosophy and Individuation Between Kant and Deleuze (Palgrave 2005); the co-edited and co-translated books Alain Badiou, Theoretical Writings (Continuum 2004), including the postface ‘Aleatory Rationalism’ (with Ray Brassier) and Alain Badiou, On BeckettThink Again: Alain Badiou and the Future of Philosophy (Continuum 2004); ‘From the State to the World?: Badiou and Anti-Capitalism’, Communication & Cognition, 37, 1/2 (2004); ‘Factory, Territory, Metropolis, Empire’, Angelaki 9.2, ‘Politics of Place’, special issue, August 2004; ‘Ethics and Capital, Ex Nihilo’, Umbr(a): A Journal of the Unconscious, 2005; he co-edited the issues ‘What is Materialism?’ (2001) and ‘Foucault: Madness / Sexuality / Biopolitics’ (2002) of Pli: The Warwick Journal of Philosophy. He is currently working on two interrelated projects: a study of the resurgence of egalitarian politics in contemporary thought, provisionally entitled The Communist Hypothesis, and a book on the role of the notion of “fanaticism” in the history of modern social and political thought, focussing specifically on debates around the German Peasants’ War of 1525 and the heritage of the Kantian distinction between fanaticism and enthusiasm. (Clinamen 2004), including the introduction ‘“Think, Pig!: An Introduction to Badiou’s Beckett’ (with Nina Power); ‘Communism as Separation’ in P. Hallward (ed)

Bill MartinMaoism and the Call of the Future: Bob Avakian and the Next Synthesis
Since the passing of Mao Tse-tung, we have had thirty years of vilification of the Chinese Revolution and the Cultural Revolution. Why does this matter? Is there a line to be drawn from the experience of the "Mao era" to the future? What is the future of Maoism, and what does Maoism have to do with the future? Has the world changed in significant and fundamental ways in the last thirty years? If so, has this rendered Maoism obsolete, or is it the case that, instead, we need a new synthesis, but one that comes out of the experience of Maoism? What are the ways in which Bob Avakian is both developing Maoism and attempting to surpass it? As a postscript, Why has it been so difficult to develop a Maoist trend in the U.K.?
Bill Martin, Professor of Philosophy at DePaul University, Chicago. Bill was educated at the University of Kansas. He works in the areas of social theory and continental philosophy, as well as aesthetics (especially literary and musical), philosophy of religion, and analytic philosophy. He has published six books, the most recent being Avant rock: Experimental music from the Beatles to Bjork (Open Court,2002). He has two books coming out with Open Court in spring 2005: Ethical Marxism: the categorical imperative of liberation,and the co-authored volume Marxism and the call of the future: conversations on ethics, history, and politics. Among his current writing projects are texts on sexuality, the question of community, and the culture of postmodern capitalism.
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Monday, November 06, 2006

Tues Nov 28 2006 - Godard Film - La Chinoise


Godard Films continue this coming tuesday Nov 28 in the Goldsmiths Cinema at 6pm with something to get us in the mood for the Why Mao? Why Now? event on the following friday

Godard. 1967 La Chinoise
- Tuesday 28th Nov 06 at 6 PM - all welcome

Friday, October 06, 2006

Tues 21 Nov 06 Godard film "band a part"


Band a part - Cinema Goldsmiths 6pm tues 21st Nov. All welcome.

"Jean-Luc Godard’s seventh feature is, arguably, his final purely joyous New Wave film before moving on to his more formally abstract and politically radical works of the late sixties and early seventies" - Donato Totaro, OFF SCREEN.

Dec 1 2006 - Mao CCS 1-6pm


Centre for Cultural Studies presents:

Mao workshop - Friday 1st Dec - Goldsmiths 1-6pm cinema - all welcome.

Why Mao? Why Now?

Why have a conference on Maoism in a heart of 21st century post-industrial post-colonial European Capitalism? What interest would Maoism hold for anUrban Bourgeois Institution of Intellectuals in an era in which Communismhas been historically 'surpassed'? Two decades after China itself began its 'De-Maoification'? And why Maoism in particular out of all forms ofMarxist-Leninism? Why does Maoism continue to inspire theory and revolutionary struggle far beyond the bounds of China and Chinese Culture,beyond the divisions of East and West, North and South? This small dayconference attempts to address those and other questions by looking at different currents of Maoist thought and practice in the US, France,India, China and Nepal.


Here is the draft schedule for 1 December (but some speakers are still to be confirmed. The venue will be Goldsmiths Cinema):

1pm welcome - Intro/framing - Maude Colville

1.25 - Alpa Shah and George Kunnath on the state and struggle in Jharkhand, India - anthropological studies and the People's War

2.05 - . Sukant Chandan on the 40th anniversary of the Black Panther Party and Influence of Maoism

2.45 - break

3.05 - Michael Dutton on the Mao museum and memorial village in ... Mao badge museum, trinkets etc.

3.45 Alberto Toscano - Learning with Mao: Revolutionary Pedagogy in Post-Althusserian Thought

4.25 Break

4.35 - Bill Martin - Maoism and the call of the future: Bob Avakian and the next synthesis

5.55 - Final Discussion.

6.15pm - end (local refreshments)
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Alphaville Tuesday 14 Nov 2006


Godard Sci Fi
Alphaville
6pm Goldsmiths Cinema
all welcome.
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Godard Autumn term tuesdays 6-9

At Goldsmiths on tuesday nights all Autumn term I am going to show Godard films. Cinema - 6-9 tuesdays, in something like this order (tbc):

Oct 3 - a bout de Souffle
Oct 10 - no film/Dutton inaugural lecture in IGLT at 5.30
Oct 17 -KP Koepping presents Sembene's Xala
Oct 24 - Stephen Muecke talk at 6.30 (after Bev Skeggs inaugural 5.30 IGLT)
Oct 31 - Two or three things I know about her
Nov 7 - reading week (film tbc - possibly Les Mempres??)
Nov 14 - Alphaville (tbc)
Nov 21 - band a part
Nov 28 - La Chinoise (link to 1 Dec Mao event)
Dec 5 - Godard on TV (if I can get it) or Historie du cinema

These dates/films are subject to change, but seem pretty solid for now.

All welcome.
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Dis-Orient X - friday 17 November


Dis-Orient X - friday 17 November 3-6pm

Ten years after the book Dis-Orienting Rhythms: the Politics of the New Asian Dance Music (zed books 1996) we've decided to have a party (or a wake) and discuss, and dance, about the new world disorder...

3pm start - Goldsmiths Cinema
speakers - Sonia from ADFED, Anamik Saha of Goldsmiths, Sanjay Sharma, Aki Nawaz showing the new Fun-da-mental video, & panel discussion chaired by Ash Sharma...
finish 6pm

Then...

From 7.30pm (after hungry folks have eaten at a local diner):

Dis-Orient X club night 17 November 7.30 - 12pm.

@ New Cross Inn (on New Cross Rd opposite the venue)
with Aki Nawaz from Fun-da-mental and friends on the decks
- a benefit for the 1857 Indian war of Independence Commemoration Committee
(donation at door - and auction of John's old South Asian vinyl)

All welcome
(special discount offer on the F-D-M album ALL IS WAR on the night)
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Taussig - Tuesday 7 November

GOLDSMITHS
University of London

DEPARTMENT OF POLITICS

Centre for Postcolonial Studies

Public Seminar

Michael Taussig

Zoology, magic and surrealism in the war on terror

Tuesday 7 November 2006 in RHB 308 at 2.00pm


ALL WELCOME

Further details available from Professor Michael Dutton – tel: 020 7919 7751 email:m.dutton@gold.ac.uk

Tues Nov 7 Le Mepris 6pm Cinema


Tuesday Nov 7 Le Mepris - 1963 by Godard, stars Jack Palance, Brigit Bardot and Michel Piccoli
6pm Cinema Goldsmiths College - All Welcome

Sumanyu Satpathy - Friday 3 Nov @ 5pm

The Media and Communications Dept, the

Centre for Cultural Studies at Goldsmiths and

the Politics Department

present a talk by

Professor Sumanyu Satpathy (Delhi University)

The Indian Queer, Media and the Arts

The paper examines media coverage of the vexed subject of same-sex love in India by way of responding to specific news-worthy events such as sex-related murders, harassment, films, and even suicides, elopements and murders. More recently, the call for the repealing of article 377 has also featured in the popular print and electronic media. In these debates conducted through the media certain issues related to India’s “traditional” moral and ethical values are invoked by the proponents and opponents of the legislation. These media events are as much representations of same-sex love as any artistic ones.

How it that questions of ethics and public morality are are invoked as transcendentalist, universalist categories, without any clearly formulated ideas of what constitutes the ethical or moral in the Indian context? Does morality or ethicality pertain to the private or public domain? There is a criminal code to punish deviance from what is natural etc. Does the legal involve the moral or ethical? How can a matter of personal choice be debated in the public sphere? What is the relationship between the private and the public in questions of the moral or ethical? How much of the ethicality of one’s sexual choice is of public consequence? How is it that a case of crime and punishment being taken to the sphere of the sexual orientation of the victim, and becomes and occasion for public debate on the ethicality of a gayman’s personal life?

These are some of the questions that the paper seeks to address making use of news paper clippings, film clips and scanned paintings and sketches.

Friday 3 November 5pm-7pm
Goldsmiths Cinema
(RHoggart Building)

All Welcome

Thursday, October 05, 2006

Stellarc - Thursday, 2nd November 2006

The Department of Media and Communications at Goldsmiths is pleased to
invite you to a talk by the international performance artist STELARC:

FRACTAL FLESH/ PHANTOM BODIES: The Prosthetic, the Plastinated, the
Partial and the Printed

Date: Thursday, 2nd November 2006
Time: 5 pm
Venue: Media Research Building (new building at the back of the campus
field, near the studios), Screen 1, Goldsmiths College, University of
London, New Cross

The event is free but places need to be booked by emailing Joanna
Zylinska <j.zylinska@gold.ac.uk>. They will be allocated on the first
come, first served basis.

FURTHER DETAILS
Stelarc is an Australian artist who has used prosthetics, robotics, VR
systems, the Internet and biotechnology to explore alternate, intimate
and involuntary interfaces with the body. Some of his projects include
the THIRD HAND, the STOMACH SCULPTURE, EXOSKELTON, the EXTRA EAR and the

PROSTHETIC HEAD. Recently he has performed and exhibited in
“Transfigure” (ACMI, Melbourne); the “Clemenger Contemporary Art Award”
(NGV, Melbourne); the Yokohama Triennale; the “Microwave Media Arts
Festival” (Hong Kong); and “Ars Electronica”. In 1997 he was appointed
Honorary Professor of Art and Robotics at Carnegie Mellon University. In

2002 he was awarded an Honorary Doctorate and was artist-in-residence in

the Faculty of Art and Design, Monash University, Caulfield. He is
currently Chair in Performance Art, School of Arts, Brunel University.
He is a recipient of a New Media Arts Fellowship from the Australia
Council for 2005-2007. His artwork is represented by the Sherman
Galleries in Sydney.

The talk will focus on Stelarc’s recent projects, which tentatively and
imperfectly explore alternate anatomical architectures that incorporate
physiologically plausible structures and re-wirings. They also postulate

hybrids of biology and technology and actual-virtual chimeras, i.e.
operational and living systems as mixed and augmented realities. In so
doing they raise questions about the obsolescence of the body and its
present form and functions. The Prosthetic Head, the Partial Head, the
Extra Ear and the Walking Head are indicative of virtual, partially
living and hybrid robotic systems that exhibit varying degrees of
liveness.

Stelarc’s website: http://www.stelarc.va.com.au

Tuesday, October 03, 2006

Tuesday Oct 31 06 "Two or Three Things I Know About Her"


Two or Three Things I Know About Her (Deux ou Trois Choses que Je Sais d'Elle) directed by Jean-Luc Godard. France. 1966.

Cinema, Goldsmiths 6pm

Nigel Watson started his pretty stupid review with a comment on the great coffee scene, a scene which could be the greatest cinematic coffee of all time.


"As the Time Out Film Guide, Eighth Edition 2000 puts it: 'Despite some time-bound concerns and irritating concepts, the sheer energy of Godard's dazzling sociological fable is enough to commend it.' Here I will look at some of these irritating concepts. A voice-over stating that language limits and constrains our view of the world accompanies a close-up of swirling coffee in a cup.... "

So come make up your own mind. The Godard 'season' continues with this film on Tuesday October 31 in the Goldsmiths Cinema at 6pm - and then in the weeks to come we might get to mock other great Watson miosconstruals. For example, when we get to Alphaville our Nige will tell us: "In Alphaville he [Godard] has a soul-less and inhumane computer ruling the city with rational and unwavering logic; those people who express love or poetic feelings are killed or brainwashed"... you kind of got the point, but missed it at the same time Nige. We will just have to decide for ourselves on the day...

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Samarendra Das - Friday 27th October








CCS presents a feature length documentary by Samarendra Das on the Adivasi and Dalit resistance to Alcan in Orissa, India.

The director will attend the screening and answer questions on the campaign..

Friday 27th October - 3.30pm Goldsmiths Cinema RHB (124 minutes)

All welcome.

In a recent review of the film, Felix Padel wrote: "This is a documentary made with and for the indigenous people of Orissa, whose speech, song, dance, demonstration and gesture comes alive here in a way that is only possible because film-maker and camera have entered this indigenous world, and surrendered to the intention of serving them, becoming a medium for their expression.

What Adivasis and Dalits actually say is rarely heard in the media within or outside Orissa – a subtle form of censorship which is also tragic – especially on the subject of mining. In this film, as in their daily life, they speak with a clarity and vividness that pulls blinkers off our eyes, and brings us back to a reality grounded firmly in nature.

Running through the film is the commentary of one of the leaders of the Kashipur movement, Bhagavan Majhi, who narrates events before and after the Maikanch police killings of December 2000, and articulates a critique of mainstream ideas about "development" which should be heard by everybody concerned about Orissa’s future.

Basically the film interweaves a number of separate stories around resistance to mining and metal factory projects, and the big dams which supply them with hydro-power and water.
The Kashipur story involves 13 years of resistance to the "Utkal" project, where Alcan is the dominant partner (Aluminium Canada, a key supplier to Britain and its arms industry). Resistance centres in the Kond village of Kucheipadar, where Bhagavan and several other leaders live, alongside Salo Majhi, a blind singer and story-teller, whose songs start and end film, "from Genesis to Genocide".

Events reached crisis in Maikanch six years ago, and culminates again today, when Kucheipadar is virtually under police siege as the authorities try to force-start construction work on Utkal’s refinery next to the village. ..."

Monday, October 02, 2006

October 7th 2006: International Day of Action on Migrant Rights

Details for the London demonstration on October 7th 2006
assemble at 12.00pm at the Imperial War Museum (Geraldine Mary Harmsworth Park), Lambeth Road, London SE1 6HZ.

In an echo of recent actions in the US, the UK's migrants are coming out of the shadows and demanding that their rights are recognised. Saturday October 7th 2006 will see a march through London demanding equal rights for all. The organisers are calling on migrants, asylum seekers and their friends, families and colleagues to join the demonstration and build a movement to change conditions for migrants for the better.

The march on October 7 2006 will start at 12 noon from the gardens of the Imperial War Museum (Geraldine Mary Harmsworth Park) and proceed through south London towards the city. On Sunday October 8 2006 10am-5pm a conference will be held at Queen Mary University where migrant communities, activists and specialists in the field will discuss the possibilities and implications of a regularisation in the UK.

Sunday, October 01, 2006

Tuesday 24th October - Stephen Muecke


The Centre for Cultural Studies presents:

a guest lecture by Professor Stephen Muecke - University or Technology, Sydney

"Science Studies and Cultural Studies: Ideas from Latour, Stengers and other 'radical empiricists'"

If critique is indeed 'running out of steam' (Latour), what would a post-critical cultural studies look like? Doing science studies means writing ethnographies of what scientists do, and in the process delving into their 'black boxes'. So maybe CS should observe what its practitioners do as opposed to listening to, then judging, their familiar critical positions. The subsequent analysis should give us a clearer idea of what such practitioners are capable of doing in their real empirical relations.

Venue, Goldsmiths Cinema, 6.30pm, Tuesday 24th October - all welcome.

(pic by Tom Carment, Sydney artist)
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Friday, September 15, 2006

Tuesday 3 October - Breathless


a bout de Souffle - Cinema Goldsmiths RHB 6pm

all welcome

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Friday, August 18, 2006

Weds 30 August - Injustice CD launch

I N J U S T I C E

THE FILM THE POLICE DON'T WANT YOU TO SEE!
NOW THE MUSIC THEY DON'T WANT YOU TO HEAR!

Launch of the powerful new CD from the makers of Injustice featuring music, spoken word and poetry by: shortMAN - Princess Emmanuelle - Hillz Yungsterz - Aricka Douglas & Dub Judah Yaz Alexander - Jimmy Chiozo - Ebele - WattsRiot feat. Scalper & Mr. Sparkes - Dee Warhouse - The Tribunes feat. Judy Green & Poetic Justic - Lowkey - Sebastian Jamison & Violet Corlis

WEDNESDAY 30th August 2006 8.00pm door'Catch'@ 22 Kingsland Rd, London, E2.
Tube: Old Street Entrance free Info: 07770 432 439

Live performances by
shortMAN, Princess Emmanuelle, Ebele and Warhouse
+Campaign updates from families of people that have died in police custody including
Brian Douglas, Paul Coker, Azelle Rodney and Mikey Powell
+Open mic session
www.injusticefilm.co.uk

For more information on INJUSTICE www.injusticefilm.co.uk
Information: 07770 432 439INJUSTICE - THE FILM THAT REFUSES TO DIE!

Tuesday, August 15, 2006

Thurs 17 August | G-HAD in the UK | Fun-da-mental | Aki Nawaz speaks out |


Red Pepper Debate: 'All Is War (The benifits of G-Had)'

Discussion with Aki Nawaz from Fun-Da-Mental plus screening of the album video. Speakers include Louise Christian, Ken Fero (Injustice films) and Natacha Atlas. Freedom of speech is a Fundamental right. Surely, to protect all our civil liberties and democracy all voices should be heard? So why is Aki Nawaz demonised and his latest album censored?

17 August 6.45pm, RampART 15-17 Rampart St. London. E1 2LA
email redpepper@redpepper.org.uk for details or to book a place

Thursday, August 03, 2006

12 August - Sound in Space

Subject: [gcinfo] Music Event: Sound In Space - 12 August

Goldsmiths College Electronic Music Studios presents "Sound in Space".

Postgraduate students from Goldsmiths College present performances oftheir original and experimental compositional works. Featuringelectro-acoustic tape music, exploring both stereo and multichannel surround sound, electronic manipulation of live instrumental performance, and live interaction between dance, instrumental performance andcomputers.
*******

Date: Saturday 12 August 2006
Time: 8pm start
Place: The Space, 269 West Ferry Road, London E14 3RS (www.space.org.uk)

Buy your tickets in advance from ticketweb for only £5 using the linkbelow....<http://www.ticketweb.co.uk/user/?region=uk&query=detail&event=174176>

Tickets will be £8 on the door, although there will be student tickets available on the night for £5.
I hope you will be able to come along and support us!
Many thanks,
John Box
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Thursday, July 27, 2006

August 4th, 2006 Failing Better






Goldsmiths College > Centre for Cultural Studies co-sponsors (with CUCR) >:


Exclusively for MA students at Goldsmiths College.

"Failing Better: The Greatest MA Student Conference on Earth!

August 4th, 2006

11am to 6pm in the Small Cinema (Main Building, Goldsmiths)

A joint CCS and CUCR conference for MA students in Culture, Globalisation and the City, Cultural Studies, Postcolonial Studies, Anthropology and Cultural Politics, and Sociology.

This student conference is intended as an opportunity for Masters students in the fields broadly related to the study of 'culture' to have an occasion to share our own exciting research and writing, to hear other people's research directions, and to give creative feedback and input.
As part of departments related to the broad study of 'culture', whether urban cultures, cultural studies, or anthropology and postcolonial studies, we share an interest in critically engaging with key questions in contemporary academic and political debates. Addressing issues around culture industries (high and low), globalism, colonialism in all its neo- and post- guises, identity, politics, alterity, hybridity, community, race and class, our scholarship is linked together by its resolute combination of theory and practice, and its keen importance for contemporary social theory. Our conference title is a pilfered paraphrase from Samuel Beckett, suggesting that while perfection is impossible, there is always the possibility of failing better (we are thinking here in the realms of both politics and research). Though not limited to the subject, submissions that examine the relevance of cultural studies to politics and polity today are particularly encouraged."
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Monday, July 24, 2006

8 September 2006 - Masashi Iwasa

Pacific Asia Cultural Studies Forum presents:

Time:5-7pm,
8 September 2006
Venue: 137a Main Building, Goldsmiths College (a.k.a. Richard HoggartBuilding)

Speaker: Masashi Iwasa (Research Fellow in Sociology at Kwansei Gakuin University, Japan)

Title:“Social movements in an age of cultural complexity: the case of anti-US base movements in Okinawa”

Abstract: Anti-US base movements have been active for decades in Okinawa, the southernmost island area in Japan. Discussion on them, either in sociology and cultural studies, have tended to take a certain collectivity of Okinawans almost as given, framing the movements as a matter of their collective engagements. However, the expanded opportunities for non-Okinawans to get involved with the movements in recent years remind us that communication processes among different participants of them need more careful understanding than the “collective identity” paradigm would assume. In other words, we need to pay closer attention to experiences and knowledge of each individual in the movements, who thereby seek to find their own meanings in them. The findings from my specific research will have major implications for the way a research on social movements ingeneral should be conducted in an age of cultural complexity.

Keywords: cultural complexity; social movements; individual; knowledge; experience
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Tuesday, July 04, 2006

5 July David Bennett


CCS presents:

A TALK by David Bennett

venue 1pm, BPLT Goldsmiths

TITLE: Libidinal Economy and the Prostitute as Prototypical Consumer

Is desire something quantifiable that we can save, spend, squander orprofitably invest in productive activities and relationships? Caneconomic tropes make sense of psycho-sexual energy? This paperre-examines the history of libidinal economy as a tradition ofexplaining sexual psychology in terms of monetary models and metaphors, by tracking how the figure of the prostitute has featured in discoursesof libidinal economy ranging from nineteenth-century medicine, anthropology and pornography, through Freudian psychoanalysis, WilhelmReich’s ‘sex-economic revolution’, Georges Bataille’s ‘general theory ofexpenditure’, to Jean-François Lyotard’s 'libidinal-economic' re-readingof Marx. It will show how early Victorian constructions of the prostitute as both a compulsive shopper and capitalism’s ‘drain’ and outlaw were taken up by anti-capitalist radicals such as Reich, Marcuseand Bataille and deployed as images of libidinal subversion of capitalism — but also how the arguments of these radicals uncannily parallel those of capitalist economists who advocated a shift from a productivist to a consumerist paradigm, or a saving to a spending mindset. The paper will also suggest how the figure of the (female)prostitute, traditionally treated as an exemplary site of libidinal-economic exchange, has been symbolically rehabilitated in postmodern shopping culture through the so-called prostitute-chic andthe 'hooker look'.

David Bennett teaches literary and cultural studies at MelbourneUniversity, where he was the founding director of the Interdepartmental Cultural Studies Programme. His paper comes from a book-in-progress (provisionally entitled ‘Sexual Spending in Consumer Culture’) on the historical nexus between the discourses of economics and sexualpsychology since the 18th century. Previous parts of this project haveappeared in _Public Culture_ 16, 2 (2005): 1—25; _Journal for thePsychoanalysis of Culture and Society_ 6, 1 (2001): 123-38; and _NewLiterary History_ 30, 2 (1999): 269—94
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Saturday, April 22, 2006

30 June Abhijit Roy


Abhijit Roy will speak at Goldsmiths in room 137a main bldf on 30 June from 11am till 1pm

Abhijit is Head of Film Studies at Jadavpur University, Kolkata, West Bengal.
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‘Flow’ and Television Theory: conjectures on their encounter with the Non-West (Abstract)

Since 1974, the notion of ‘flow’ as constituting what Raymond Williams calls the “central television experience”, has been subjected to repeated criticism, elaboration and reformulation. My presentation shall engage with these debates to investigate whether the television screen-form is historically conditioned to produce specific ideologies of subject-formation. I suggest that the recent onslaught on the tenor of ideological suturing in ‘flow’ is premised upon a certain ‘western’ experience and an utterly ‘modern’ assumption of a direct relation between ideology and form. The problems in such an assumption can be particularly understood when we try to locate the Indian context vis-à-vis the apparatus of television and show how the so called ‘pre-capitalist’ traits in the Indian popular performative forms are homologous with what the critiques of ‘flow’ try to specify as the fragmented, distracting and hence ideologically centrifugal experience of television. The presentation will particularly look at the Indian popular film as a key repository of the indigenous performative forms and as an instance where frontality, spectacle and discontinuity can perfectly produce, as in television, a set of ideologically coherent positions. While examining this formal correspondence between television in Late Capitalism and the ‘heteronomous popular’ of the territories that continue to be highly heterogeneous in production relations, I wish to hint towards a possible genealogy of the televisual flow-form. This genealogy, the paper suggests, would be incomplete unless one takes into account the appropriation and re-signification of the pre-modern (I prefer to use ‘alternative modern’) by the apparatuses of consumerism. Since a fragmentary, discontinuous, frontally addressing and open-ended representational form has historically sustained the non-western popular and has now entered into a correspondence with the new global televisual mode of representation, can we say that the televisual subject with the legacy of colonial modernity is enmeshed, albeit contingently, in a grid of ‘identification’ with the consumerist television’s form? How does on account for the kind of negotiations that are in process? What exactly is the historical location of the Western viewers in this mapping of the ‘modern’ across the televisual globe? The questions finally lead us to the efficacy of a discursive distinction between the inter-constitutive trajectories of modernity in the theorization of the televisual mode of representation.

Abhijit Roy
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27-28 June SAPC confernce, Manchester

The University of Manchester - School of Arts Histories & Cultures:

"Journal of South Asian Popular Culture

3rd International Conference

The journal of South Asian Popular Culture (SAPC) conference will be hosted at the University of Manchester at the Martin Harris Centre for Music and Drama.

SAPC's 3rd meeting brings together interdisciplinary contributions from across the different subject disciplines in the arts, humanities and social sciences to engage with notions of popular culture. 'South Asian popular culture' is defined in a broad and inclusive way to incorporate lived and textual cultures, the mass and new media, different ways of life, and discursive modes of representation. Central to the formation of popular cultures are articulations of the economic, social and political spheres and the conference will also aim to highlight these issues.

SAPC's 3rd conference will consist of papers from across all areas of South Asian popular culture, both in the subcontinent and from around the world. Contributions have been accepted from academics, postgraduate students, and from cultural practitioners (film-, radio-, television-, and web media-makers, artists, arts personnel, cultural activists, theatre practitoners, fashion designers, and sexuality campaigners).
For details of the conference programme and venue please click here (PDF, 29KB)"
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Friday, April 21, 2006

21-22 June Neo-Liberalism and its Post feminist Perversions; Young Women: ‘Illegible Rage’ or Complexification of Affirmation?

THE WORD GIRL IN A GLOBAL FRAME.

This series of seminars ‘The Word Girl in a Global Frame’ will be part of the International Feminism and Theory Group at Goldsmiths College (Sociology and Media and Communications).

The Word Girl will comprise a website and various research activities to be hosted at Goldsmiths as a forum for staff, post-graduate students and also non- Goldsmiths academics and researchers working on relevant topics. We will be seeking contributions from ongoing research on the boundary setting practices of girlhood in a global frame. What are the limits of intelligibility in regard to the inhabiting of the category of girlhood? How might the case for the radical uninhabitability of normative girlhood or womanhood be defined within an international human rights discourse? We are particularly interested in work which pushes forward with new psychoanalytical perspectives in regard to body morphology, anger, anxiety, self harming behaviour, suicide and ‘illegible rage’. We are also interested in affect and emotion, and in transcultural work on youthful female embodiment. We look forward to receiving articles which examine a wide range of cultural phenomena which engages with these issues in a global frame. These might include films, music, art work, fiction, and autobiographical writing. We hope to receive work which documents activities which undermine or disrupt the various forms of power which operate as norms of social and sexual approval in regard to contemporary young womanhood. We hope to receive a good deal of work from outside the Anglo-American field. We also aim to bring discussions of young womanhood into current debates on neo-liberalism and globalisation, war and violence, race and post-colonialism, ethics and vulnerability.

Inaugurating Event. THE WORD GIRL IN A GLOBAL FRAME.

This evening and next day event to be held on 21st and 22nd June 2006 at Goldsmiths College, Ben Pimlott Building, will be an opportunity for senior scholars alongside PhD students to present innovative work. Numbers attending the event will be restricted to 50. Lunch and refreshments will be provided and there will be a dinner in the evening. The proceedings will be published in either book form or as a special issue of a relevant journal.

4-6pm 21st June.
PANEL ONE.
Neo-Liberalism and its Post feminist Perversions
Kim Allen (Goldsmiths), Lisa Blackman (Goldsmiths) Ros Gill (LSE) Valerie Walkerdine (Cardiff) Chair Celia Lury
6pm Invitation out and pending to Tracey Emin to discuss her work
followed by drinks .
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10-12 22nd June
PANEL TWO
Young Women: ‘Illegible Rage’ or Complexification of Affirmation?
Rosi Braidotti (Utrecht) Shelley Budgeon (B’ham) Angela McRobbie (Goldsmiths) Susie Orbach (LSE and psycho-analyst) Ann Phoenix (Open University). Chair Claire Colebrooke

12-1 Lunch
1 - 2 30 PANEL THREE
Queer and Transgender Girlhoods
Gayle Salamon (Princeton), Emma Renolds (Cardiff) Judith Halberstam (USC). Chair Vikki Bell
coffee/tea
2 45- 4 15 PANEL FOUR
Ethnographies of Young Women’s Affect: Love, Hate, Violence and Vulnerability.
Beckie Coleman (Lancaster) Julia Dane (Goldsmiths) Niza Yanay (Ben Gurion). …chair Angela McRobbie
4 30- 6 30 PANEL FIVE
Sex/Race/Body/Generation..
Linda Duits (Amsterdam) Lisa Lowe (if available) Angela Phillips (Goldsmiths) Denise Noble (Goldsmiths) Jessica Ringrose (Cardiff) Chair Joanna Zylinska

DRINKS RECEPTION …..DINNER AT BERMONDSEY KITCHEN.
Free to Goldsmiths staff/students. Others £30 /£15 academics /post-graduates. Cheques to Goldsmiths College, send to Zehra Arabadji Dept of Media and Communications Goldsmiths College, New Cross, London SE 14 6 NW.

(event organised with support from the Centre for Cultural Studies)
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MPX in first London show - Wednesday, 14 June


San Francisco-based artist micropixie and London poet Anjan Saha come together in this exciting double bill for micropixie's premiere UK performance of ‘Alice In Stevie Wonderland'

Wednesday, 14 June 2006 7.30pm - 12am Darbucka World Music Bar 182 St John Street, London EC1V 4JZT: 020 7490 8772 / W: www.darbucka.com

Nearest stations: Farringdon & Angel / Bus 153 [teleport ???]
Tickets: £5 / £3 conc.

Made in Bombay, born and raised in the UK, micropixie (MPX) is a self-proclaimed alien with extraORDINARY abilities. Not only is MPX a conceptual artist working with visual and verbal design, and a photographer, but she is also the extra-terrestrial alter ego of writer/ filmmaker/ human single beige female. Her debut album, Alice in Stevie Wonderland, weaves sensuous instrumentation with elaborate vocal textures as it narrates the enchanting story of one little alien whose mission on planet Earth is to try on the human experience. MPX\'s epic journey as a human being takes her through the stages of pre-birth, birth, confusion, solitude, disappointment, comprehension, then re-birth, affirmation and evolution. Fusing organic elements - such as tabla, thumb piano, puja bells and bongos - to electronica, the 12 tracks on the album cross many different styles from down-tempo jazzy lounge to spoken word to tabla bols.

For her London debut, micropixie will be accompanied on tabla by Indian/Latin percussionist Renu Hossain.www.micropixie.com www.myspace.com/micropixie
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[alien landing craft pic nicked from Dee - ta - http://dee-that-is-me.blogspot.com/]
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ARUN SALDANHA Friday June 2nd

Friday June 2nd 3PM - Room 143 Goldsmiths Main Building

SEPRO presents: a talk by ARUN SALDANHA

DELEUZE AND RACIAL DIFFERENCE

Keen to insist on the rhizomatic, Deleuzianism has so far had little to say on race, leaving it to psychoanalysis and deconstruction to investigate the intricacies of the "social construction" of racial difference. My project seeks to retrieve a critical ontological potential from Deleuze and Guattari's work to argue for the differential materiality of race. That is, race does exist, but races don't: bodies become progressively stuck in uneven assemblages which constantly transform, but largely keep them locked in what might be called racial clusters. This paper argues it's high time to stop the political blunting of D&G, especially their explorations of racism and capitalism.

BIO ARUN SALDANHA Graduated in Communication Studies, Free University of Brussels, 1997. Worked as Teaching Assistant there, 1997-2000. PhD in Geography at the Open University, 2000-2003. Since 2004 Assistant Professor in Geography atthe University of Minnesota. Research interests include music, tourism, colonialism and drugs. Theoretical interests revolve around Deleuze, race and feminism. I've got a book coming out with the University of Minnesota Press next spring, Psychedelic Whiteness: Rave Tourism and the Viscosity of Race in Goa.
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Thursday, April 20, 2006

Cultural Fictions II - on 15-16 June

Cultural Fictions II

The Centre for Cultural Studies at Goldsmiths College (London) is hosting a conference on the significance of science fiction for disciplines and practices associated with cultural studies, to be held on 15-16th June, 2006. In particular, we will be asking whether sci-fi’s privileged relationship to alterity – e.g. in the forms of the alien, the non-human and above all the future – is what makes it so attractive to politically and philosophically oriented research and other contemporary artistic practices.

Main speakers:

Greg Tate, journalist, cultural critic and filmmaker, regular contributor to Village Voice, founder of the band Burnt Sugar; publications include Flyboy in the Buttermilk: Essays on Contemporary America (Simon and Schuster, 1992) and Everything But the Burden (Broadway, 2003).

Roger Luckhurst, Senior Lecturer, Birkbeck College; publications include “The Angle Between Two Walls”: The Fiction of J G Ballard (Liverpool UP, 1997), The Invention of Telepathy (Oxford UP, 2002), Science Fiction (Polity Press, 2005).

Anthony Joseph, poet, musician, novelist and lecturer; publications include Desafinado (poisonenginepress, 1994), Teragaton (poisonenginepress, 1997) and The African Origins of UFOs (forthcoming, Salt, autumn 2006).

There is no charge for this event (held in the Goldies Cinema, Main Building),
but please register your attendance by emailing culturalfictions@gold.ac.uk.

Call for Papers:

Postgraduate students with relevant research interests are invited to present short papers (15 minutes) alongside our main speakers. Please submit abstracts of 200-300 words to culturalfictions@gold.ac.uk by Monday 8th May. Topics may address any aspect of science fiction but preference will be given to those that emphasize its political and philosophical potential for research in cultural studies, the humanities and the arts. Suggested topics: utopia/dystopia/uchronia, alternative history, human-machine interfaces, philosophies and politics of time, future as ‘other’.

This event is funded by the Arts Humanities Research Council and the Centre for Cultural Studies, Goldsmiths.
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Fri 21 April CULTURAL STUDIES OF INDIA AND THE INDIAN DIASPORA: A SYMPOSIUM

On the occasion of distinguished scholar Dr. Veena Naregal of theInstitute of Economic Growth (Delhi)'s visit to Goldsmiths, we are pleased to present an afternoon symposium on cultural studies of India and theIndian Diaspora. PACSF has long wanted to extend its geographic scope beyond East and Southeast Asia, and we are pleased to present this first event focused on South Asia

Venue: The Small Hall, Goldsmiths College, New Cross, London SE14 6NWTime: 1p.m, 21 April 2006-03-31

Veena Naregal
Institute of Economic Growth, Delhi
Re-forming Film Finance and Distribution : State Agendas andPopular Culture in India

As a cultural institution, Indian cinema encompasses many paradoxes. Onesuch is the gulf that separates the avid cinephilia of Indian audiencesand the largely disapproving biases against the film industry uponwhich the post-Independence Indian film policy has been founded.Arguably the mainstay of a national cultural mainstream, Indiancommercial cinema has survived, since the late 1940s, mainly throughexploiting surplus merchant capital available through parallel moneymarkets. These links between media industries and the informalsector -- between 'kala paisa' ['black' money] and 'phillum dhandha'[film business] -- have long been part of film industry lore. Forunderstandable reasons, however, such 'disreputable' linkages haveremained un-investigated or theorized. And yet, the expansion of Indianmedia audiences, first in the late 1980s, and later through thegrowth of cable and satellite television networks since themid-1990s, have only further accentuated these links between theinformal sector, film production and media distribution.Whereas up until recently, the Indian state seemed concerned to engagewith the film business primarily as tax-collector and censor, thepost-reforms period has seen a visible change in the state'sperceptions of Indian movies and film industry. In December 1998, thegovernment conceded the long-standing demand to confer the status ofan industry on the film business, and has since initiated various movesto encourage state and corporate financial institutions to invest infilm production and other aspects of the film business.So how do we understand these evolving trends? Do they indeed signify amajor shift in relations between the Indian film industry, state andmarket? This presentation aims to open up a discussion around some ofthese important issues and explore their links to other trends suchas shifts in audiences tastes and emerging markets for Indian mediaproducts.


Meeta Rani Jha
PhD Student, Goldsmiths College, Sociology Department, University of London

From Mother India to Miss Universe: The New Morality of the Self-fashioned body

The shift from the Mother India to Miss Universe feminine icon articulatesdramatic changes taking place in Indian economic and cultural life due toeconomic liberalization. The changes in the representations of women from'Mother India' to 'Miss Universe' is a dramatic change because the firstfocused on a struggle for existence and transcendence throughself-sacrifice while the latter prioritizes a femininity focusing only onthe exterior of the body and on physical beauty. Female autonomy andliberation comes to rest not on her access to an independent life (accessto employment, sexuality and life choices) but in her ability to imitate afemininity based on white beauty ethics.This article scrutinizes the key role of body as a site of British Asianpopular cultural expression and contestations in the practices of Bombaycinema viewing through an analysis of semi-structured interviews. Therespondents explained their criticisms of the newer heroines in terms ofregulation, homogenization, superficiality, and a lack of individuality.I argue that the filmmakers have failed to understand the complex andenmeshed relations of class, religion, gender and race in the subjectivityof the British Asian audience. The new morality of the self-mastered whitebody produces self-castigation and shame in respondents' articulations.The British Asian subjects are not globally mobile and certainly not aswest aspiring as the Indian urban elite. They are living in the belly ofthe Imperial beast and their anti-racist and decolonizing imaginary iswhat maintains the boundary of their identity even as it plays with itsWestern and Asian subjectivities, disavowing and authorizing one foranother depending on the situation and the context.


Menaka PP Bora
Doctoral Student, Department of Media & Communications

Visible and Invisible Borders: The politics of the 'national' (and) the'regional' identity in Indian contemporary music and cultural identity ofglobalizing India.

This paper is an interdisciplinary investigation of the relationshipbetween Indian contemporary musics and politics of the national and theregional cultural identity in metropolitan India from 1990s onwards. Theemergence of a homogenized global music culture on television, Internetand 'world music' in middle class India as a result of economicliberalization of 1990s has contributed to an awareness of a new visualculture in music and identity among influential music makers. I argue thatin the late 1990s Indian contemporary music making processes leadingtowards experimental fusion music suggest a growing trend of dualengagement with art music traditions and 'selective adoption' of Westernmodernity among music makers. These creative processes are not onlyconditioned through the complex co-existence of 'regional' and 'national'cultural identities within India but also through accessibility of'global' cultural forms and ideas. The 'national' identity in thearticulation of contemporary 'Indianness' contains critical sites ofstruggle with the growth of pan-Indian nationalisms or 'regionalisms' inlate 1990s. Drawing on, among others, British and Indian cultural studiesdisciplines such as works of Stuart Hall on cultural identity (1996) andG. N. Devy's Desivad (Nativism), I will elucidate the identity politicsassociated with the 'regional' and the 'national' cultural identity andthen analyze how and why it is necessary to discuss the socio-politicaldebates around 'Indianness' with cultural identity of Indian contemporarymusics. The methodology involves qualitative research methods in terms ofgrounded theory, primary interviews and textual analysis. The casestudies include musicians, critics, musicologists, music producers andglobal music television channels in India.


Atticus Narain
Doctoral student, Department of Anthropology

Hindi Cinema: a Guyanese perspective.

Indo-Guyanese watch Hindi films as if their very existence depended uponit, and in terms of identity it does. This thesis examines one of themajor sources of cultural renewal among the East Indians of Guyana:products of the Indian film industry. While Hindi films cater to diverseinternational audiences, there are few studies that examine how such filmsframe the expectations of audiences - as in the Guyanese case - for whichthese films are the primary sources of cultural confirmation. Much thoughHindi films provide a moralistic caricature of Indian mores, theyauthenticate a notion of 'Indianness' for Guyanese long severed fromdirect contact with the sub-continent. In the context of persistent ethnichostility between Afro-Guyanese and Indo-Guyanese, Indian films denote acultural 'intactness' that links East Indians to what Anderson hasidentified, in his widely cited phrase, an 'imagined community'. Between1838 to 1917 two hundred thousand Indians were transported as indenturedlaborers to Guyana where they became a significant population in thisAfro-Caribbean state. I will explore ways in which this enclave groupcontinues to maintain an Indian identity despite the absence of continualrenewal of links once afforded by migration. Guyana - still overwhelminglyagrarian - presents an interesting case in which the (ex-) colonialantagonists (African and East Indians) operate within a space largelyvacated by the British agents of colonialism.

ALL WELCOME.

Wednesday, April 19, 2006

wed 3rd May Michael Taussig

Goldsmiths - Centre for Cultural Studies presents a talk:

by Professor Michael Taussig

3 May 2006 Goldsmiths College BP Lecture Theatre (scribble Bldg) 1pm.

Title: Sailing Through Color

Absrtract: "I want to give a 'color-reading' of Malinowski's Argonauts of the Western Pacific, understanding color as a living force taking you into the object of study. This is part of a book I am working on called "What is the Color of the Sacred,?" The title comes from surrealist-ethnographer Michel Leiris and my jumping off point come from Goethe's 1810 book on color where he states that people of refinement are averse to vivid colors whereas "man in astate of nature," kids, the women of southern Italy, love them. Seeing modern world history as the struggle between chromophobes and chromophilliacs, I side with Walter Benjamin, William Burroughs, and Marcel Proust is seeing color as something alive, like an animal, akin to what I call 'magical polymorphous substance.'

see you there.
John

Sunday, April 16, 2006

Monday 17 April - Tokyo 2006

John Hutnyk will give a talk in Tokyo, with live web stream.

The venue is "ROOM HEAVEN & EARTH"4F & 5F, Moai Chazawa, 2-2-14, Kitazawa, Setagaya-ku, Tokyo 155-0031 Tel 03-3412-0454

From 7 pm. The nearest station is Shimo-kitazawa station, you'd better get out South way out of the station,

See you on Monday. Yutaka

(organised by Toshiya Ueno)

ROOM HEAVEN&EARTH住所:〒155?0031東京都世田谷区北沢2?2?14 モアイ茶 沢4F&5FTEL:03?3412?0454 ※下北沢駅南口から茶沢通りを三軒茶屋方向へ。トヨタレンタカーのは す向かい。
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Date:
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To:
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CSF の皆さま来週の月曜日ですが、ロンドン大学ゴールド・スミス校のジョン・ハトニク氏を囲んだイベントのお知らせを頂いたのでご案内します。ご関心のある方は是非ご参加ください。清水知子*****************John Hutnykを囲んでロンドン大学ゴールドスミス校の講師(Reader)であるジョン・ハ トニクが来日中です。彼とは十年来の友人である上野と毛利が、彼の過去の仕事から現在の関 心にいたるまで、音楽をかけたりしながらお話をするイベント/ラウン ジをもちます。四月一七日、月曜の午後七時頃から、下北沢のお店で行います。入場は無料ですが、ドリンクなどはお買い求めください(通常営業中の バーです)。ジョン・ハトニクは、バングラなど南アジア系のダンスミュージックに ついての論集Dis-Orienting Rhythmsの編者であり、ツーリズム /フィールドワークの批判的分析をしたCritique of Exotica、 文化研究とマルクス主義の現在的な関係をスリリングに解析したBad Marxismの著者として知られています。また、最近の共著作、 Diaspora & Hybridityでは、「ディアスポラ」と「ハイブリッ ド性」という概念を徹底的に再検討しています。クリミナル・ジャスティス・アクト(英国での野外パーティ潰しの悪 法)が黒人やアジア系移民の締め付けに実際には使われた経緯、クリ フォードへの批判、大学「市場化」など、様々な問題を論じている方で すが、カフェの一角を間借りして、トークと音楽の夕べにします(今回 は貸し切りイベントではないです)。当日の使用言語は英語ですが、アヤシくゆるい通訳は、その場で日本側 の二人がやります。当日はネットでストリーミングも行います。会場に足を運んでほしいの で、ストリーミングのアドレスは、毛利、上野がネットやSNSを 介して直前に告知します。七月のCultural Typhoonで行われるラウンジパーティ、Black Atlantic Night(仮称)の前哨戦にもなります。今後、この手のゆるい雰囲気で、音楽や美術、映画、アニメ、アジアの 状況などについてエッジのきいたラウンジを随時もっていく予定です。ぜひ遊びに来てください!ROOM HEAVEN&EARTH住所:〒155?0031東京都世田谷区北沢2?2?14 モアイ茶 沢4F&5FTEL:03?3412?0454 ※下北沢駅南口から茶沢通りを三軒茶屋方向へ。トヨタレンタカーのは す向かい。  上野俊哉+毛利嘉孝
Help URL : http://help.yahoo.co.jp/help/jp/groups/Group URL : http://groups.yahoo.co.jp/group/csf-ml/Group Owner: mailto:csf-ml-owner@yahoogroups.jp CSFホームページ: http://homepage2.nifty.com/csf/index.html掲示板: http://hpmboard2.nifty.com/cgi-bin/thread.cgi?user_id=ICB71317

Wednesday, March 22, 2006

INJUSTICE

News from the makers of 'Injustice' - the radical feature length documentary film about the struggles for justice by the families of people that have been killed by the police in the UK.

1. Free 'master'class by 'INJUSTICE' film makers- London:
We have been asked to run a 'master'class in radical documentary film making as part of the Wood Green Film Festival. It takes place on sunday 26th march between 12.30 and 2.00 at the Wood Green Library, High Road, N22. Nearest tube wood green. Rather than pontificating this will be an opportunity to discuss issues of imagination and intervention with the new film - Licence To Kill
The event is free and open to all with an interest in the subject. To secure a place email
martin.charter@haringey.gov.uk

2. 'INJUSTICE' - CD & Dead Prez:
We have been producing a music CD which will be out soon. It will feature artists who have been long term supporters like shortMAN , Princess Emanuelle, The Tribunes, Jimmy Chiozo and Hillz Yungstaz and much more talent. The CD will help raise the profile of the family campaigns for justice, after its launch there will be a touring 'Injustice Roadshow' with the Injustice film, family campaign speakers and live performances from the artists. The aim of the tour is to organise, raise awareness and raise funds to support the different family campaigns. The CD includes some radical rap, hip-hop, roots, spoken word, r&b and much more! If you can help with distribution of the CD or want to host the road show then contact: info@injusticefilm.co.uk


Breaking news: We are now involved in the forthcoming Dead Prez Tour for further details go to:
www.biggerthanhiphoptour.com

To read about other Migrant Media productions log onto http://www.injusticefilm.co.uk

Monday, March 20, 2006

Friday, March 17, 2006

Fri 17 March - Roshini Kempadoo


Roshini Kempadoo will give a talk and presentation of her Photography work in the Representation class at Goldsmiths at 11am-1pm - in room 137a. All welcome.

Some info on Roshini below...
...
[Please also note that we have the "SHOW" of films and photography made in this year's 'Representation' class on the day after - ie saturday 18th March (in the Cinema, + 142 and 143 Goldsmiths Main Building) from 11am till 5pm or 6.]
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Roshini Kempadoo:
Portfolio websites:
Autograph abp website
http://www.autograph-abp.co.uk
(see under artists)
Open Frequency - Axis curated programme
http://www.axisartists.org.uk/ofSELC.aspx
University of East London
http://www.uel.ac.uk/ssmcs/staff/roshini_kempadoo/index.htm

2006
Solo work:
Virtual Exiles - on-line artwork
http://www.mediascot.org/host/art/exiles/ve/index.html

Group show:
Culture Bound - East Wing Collection vii
Courtauld Institute of Art,
Somerset House, Strand, London
21st January - July 2006
www.eastwingcollection.org.uk


Talks/Presentations:
Monday 27th February 2006
New York University invited guest speaker
New York

20th -23rd July 2006
2006 Association for Cultural Studies
Panel: Beyond the Other? Interrogating postcolonial theory and practice
Crossroads Conference at İstanbul Bilgi University
.

Saturday, March 11, 2006

Bettina Papenburg Weds 15 march 6pm


SEPRO presents:
Mechanical metaphors: transfigurations of technology in Cronenberg’s film VIDEODROME

by Bettina Papenburg

Wends 15th of March 6PM MB 137

The talk shall focus on an analysis of the filmic strategies thatCronenberg deploys for establishing a metaphoric relation between man andmachine. Therefore the examination shall address visual icons and theirinterconnections as materialized fictions that show how both technologyand the human body are transformed and reshaped in the process of theircoupling. Particular attention will be given to the different effects thatthis intimate relationship with technology exerts on the female and on themale body respectively. The ambivalences and ambiguities that are at theheart of these new, technologically informed bodies might point to thenecessity to rework conventional binary frames. Drawing on methods fromstructural myth analysis some selected sequences of the film shall be readclosely in respect of the question, how the various sensual channels playtogether and resonate in the process by which novel meaning is created andcommunicated.

BETTINA PAPENBURG is currently completing her PhD with Peter Köpping atthe Institute of Ethnology at the University of Heidelberg in Germany. Herinterests revolve around ideas of the monstrous, the grotesque and theludic and their representation in contemporary film. For her thesis shefocuses on the subversive potentials of the grotesque body as it isimagined in the idea of the coupling of man and machine in the films ofthe Canadian director David Cronenberg. Bettina has worked as a filmeditor on productions in Berlin and Rome and has directed a documentary onrituals in Japan. She has taught courses on mythology and film at theUniversity of Heidelberg and has written several articles on theaesthetics of deformation, mechanical desire, monstrosity and technology,and the reconfiguration of the gendered body in film.
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Friday, March 10, 2006

ZELIMIR ZILNIK 23rd March 2006, 5 – 7 pm

Forthcoming event:

Screen School and the Transnational Research Unit of the Department of Media and Communications present:

DOCUMENTARY FILMMAKING – RAW REFLECTIONS OF TIME

ZELIMIR ZILNIK

Ian Gulland Cinema, Goldsmiths College

23rd March 2006, 5 – 7 pm


Zelimir Zilnik reflects back on forty years of making documentary films that capture social and political crises across different decades. Using examples of his work (June Turmoil; Old Timer; Tito for the Second Time Amongst the Serbs), but also the work by Janko Baljak (Anatomy of Pain; Crime that Changed Serbia), Zilnik is interested in documentaries as raw documents of time, juxtaposing them to the dominant representations of recent Serbian, Yugoslav and Balkan history.

Biography:

Zelimir Zilnik (born 1942, based in Novi Sad, Serbia) is one of the most influential filmmakers in the Balkans today. From the late 60s, his socially engaged films and documentaries in former Yugoslavia and his unique visual style earned him critical accolade (The Unemployed, 1968, Best Documentary at the Oberhausen festival, 1968; Early Works,1969, Best Film at Berlin Film Festival), but also censorship in the 70s for his unflinching criticism of the government apparatus. Low budget filmmaking and challenging political themes mark Zilnik’s prolific career, which includes over 40 feature and documentary films. Since the 1980s, he has been developing his unique docu-drama language, which he used throughout 1990s to reflect on political tensions, including EU sanctions, the NATO bombings, and Milosevic’s regime. His power to observe and to unleash compelling narratives out of the lives of ordinary people is the common thread throughout his documentary and docu-drama work, including the 1994 film Tito's Second Time Amongst the Serbs. More recently, his focus has shifted beyond the divided Balkans to question their relationship with the tightening controls of European borders, delving into the heart of issues concerning refugees and migrants, in Fortress Europe (2000), Kenedi Goes Back Home (2003) and Kenedi: Lost and Found (2005).

For more information, visit www.zelimirzilnik.com
.

Wednesday, March 08, 2006

Monday 13 march - Rafael Lozano Hemmer

Events @ Centre for Cultural Studies, Goldsmiths College

Rafael Lozano Hemmer
Antimonuments and Subsculptures

13th of March@6pm, room 137a MB, Goldsmiths College

The Centre for Cultural Studies is pleased to announce the talk from
internationally acclaimed electronic artist Rafael Lazano Hemmer who
develops large-scale interactive installations in public space, usually
deploying new technologies and custom-made physical interfaces. Using
robotics, projections, sound, Internet and cell-phone links, sensors and
other devices, his installations aim to provide "temporary antimonuments
for alien agency". His work has been commissioned for events such as the
Millennium Celebrations in Mexico City (1999), the Cultural Capital of
Europe in Rotterdam (2001), the United Nations' World Summit of Cities in
Lyon (2003), the opening of the Yamaguchi Centre for Art and Media in
Japan (2003) and the Expansion of the European Union in Dublin (2004).
For further information please visit: www.lozano-hemmer.com
.

Tuesday, March 07, 2006

11am fri 10 March 06 - Richard Rudy


Richard Rudy, co-director of "Rage against the machine" (2004) - a doco film about music creativity during the Bosnian war - will talk about his documentary, and the making of a feature film on the topic, at Goldsmiths on 10 March in room 137a at 11am. We will show the documentary too.

The pic is of Richard - on the right - and co-director James Harvey.
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Friday, March 03, 2006

Friday 3 March - Aki Nawaz


Aki Nawaz will present several promos by the group Fun^da^mental and discuss the making of agit-propa-gandhi style video from over ten years of Nation Records uncompromising action.

Room 137a Main Building, Goldsmiths College 11am - 12.30 Firday 3 march 2006.
All welcome.
.

Saturday, February 25, 2006

Wed 1st Atticus Narain

Wed 1 March

Atticus Narain

ANTHROPOLOGY DEPARTMENTRESEARCH SEMINAR SERIES (Goldsmiths College)

Wednesday, February 22, 2006

Friday 3rd March Exploding Cinema

NEXT EXPLODING CINEMA SHOW:

Friday 3rd March
The Hatcham Social Club
Hall Entrance (on right hand side)
369 Queen's Road
New Cross
London SE14

DOORS 7.30pm. £4 entry (no concs)

Buses: 36, 171, 53
Tube: New Cross Gate
Rail: New Cross Gate
or Queens Road Peckham (6 mins from London Bridge)


For full directions including maps go to:
http://www.explodingcinema.org/nextshow.html

To submit a film or to find out more about the Exploding cinema go to our
website at

www.explodingcinema.org
.

"SCREENINGS FOR CINEPHILES

"SCREENINGS FOR CINEPHILES

(ie.: Everybody is welcome!)

TUESDAYS 6-8 PM

MB: SMALL HALL/Cinema Goldsmiths College

In connection with courses at the Centre for Cultural Studies, in particular with reference to postcolonial studies, a series of films will be shown to which everybody interested in cinematic productions is cordially invited.

While the sequencing tries to convey a trajectory from depiction of colonial/post-colonial settings and representations of 'Otherness' (five weeks until reading week) to the implied criticism of one's own society (for which Japanese productions will be shown from week 7 to week 11), the films are in the first instance selected for general interest as forms of entertainment (with a kick!).

Short introductory comments will be given by the organizer (Prof. K.P. Koepping, CCS)

SCHEDULE

Feb.21: Imamura : 'The Pornographer' (or: An Introduction to Anthropology)

Feb. 28: Miike: 'Visitor Q'

March 7: Imamura: 'Ee-ja-nai-ka'

March 14 Tsukamoto: 'Tetsuo'

March 21 Tsukamoto: 'Snake of June'

Tuesday, February 21, 2006

Fri 24 Feb 11am-1pm Dhiraj Murthy


Dhiraj Murthy will present and discuss his film Dilli Breakbeat, in room 137a at Goldsmiths (MB) from 11am till 12.30 or so. All welcome.

"The film Dilli Breakbeat explores Asian electronic music in India’s capital - a city which the vast majority of Delhiites agree has changed remarkably over the last 10-15 years. The film starts from this premise and explores the Asian electronic music scene within its home, which somehow, despite its rapid modernisation, still has deep connections with its rich history. Perhaps the Asian electronic music scene and the individuals involved are in many ways a reflection of this Delhi? (ref)"
.

23 Feb 5.30 Rosi Braidotti

Rosi Braidotti will give a lecture in the Goldsmiths Sociology lecture Series:

'The Politics of Death in the Age of Bio-Power'

23 Feb 2006, Ian Gulland Lecture Theatre at 5.30 pm

Everyone welcome
.

Monday, February 20, 2006

Wednesday 22nd of February Michael Richardson

On Wednesday 22nd of February at 6PM in MB 137, at Goldsmiths
SEPRO will be hosting a talk by
Michael Richardson on
"Aspects of King Kong".
Please join us!

MICHAEL RICHARDSON is currently visiting professor at Waseda University,Tokyo. His principal interest is in processes of communication, whetheracross cultures or across intellectual disciplines. His doctoral researchwas concerned with the relationship between anthropology and surrealismand the different ways in which they approach the question of culturaldifference. He is also interested in questions of representation,especially in relation to film, especially in the ways that meaning isformed and transmitted. He is the author of The Experience of Culture(Sage Publications, 2001), and Georges Bataille (Routledge, 1994). He has also written many articles on aspects of surrealism and has edited severalcollections of surrealist writings, including The Dedalus Book ofSurrealism (Dedalus, 1993-4), Refusal of the Shadow: Surrealism and the Caribbean (Verso, 1996) and, with Krzysztof Fijakowski, Surrealism Against the Current (Pluto, 2001). His most recent book, Surrealism and Cinema, will be published by Berg next month.

Sunday, February 19, 2006

9-11 March Indonesian Film Fest at SOAS

Cultural Studies/Cultural Industries in East Asia 17 & 18 March 2006

SYMPOSIUM – 17 & 18 March 2006
What a Difference a Region Makes
Cultural Studies/Cultural Industries in East Asia
A Symposium organised by the Japanese Cultural Studies Programme of Birkbeck and the Asia-Pacific Cultural Studies Forum of Goldsmiths, in cooperation with the Japan Foundation (London).

What a difference a region makes! The popular culture and consumer productindustries of East Asia are moving beyond national boundaries and enjoyingregional and global success as never before. But are flows of Korean TVdramas and mobile phones, Japanese anime and cosmetics, Taiwanesecomputers, Chinese films, and Hong Kong pop music producing transnational regional culture, nationalistic backlash, or both? And do they result from reduced trade barriers and a lessening of nation-state power, or are they driven by national policy?Running parallel with these phenomena has been the rise of Cultural Studies and Cultural Industries research and approaches in East Asian academic culture. As well as deploying these approaches to analyze the regional, we also ask what difference it makes to use them in an EastAsian context. What does it mean to do Cultural Studies in East Asia?

Venue: Conference Room, Japan Foundation London, Russell Square House, 10-12 Russell Square, London WC1B 5EHAttendance Fee: For one day: £10; £5 (students).For both days: £15; £8 (students)

Registration: As space is limited, please register by 14 March by sendingan email with your name and contact details to the administrator, KeikoBailey (k.bailey@bbk.ac.uk) or phone on 020-7631 6113."

Wednesday, February 15, 2006

Wed 15th Feb -Shaun Moores

VISITING LECTURE (at Goldsmiths)

mb 137 4-6pm

Shaun Moores,

(Professor of Communications, University of Sunderland)


Media Uses and Everyday Environmental Experiences: A Positive Critique of Environmental Geography

This paper offers a critical yet sympathetic engagement with a body of work produced some years ago in the area of phenomenological geography, assessing the relevance of that work for the study of media uses in daily living. It is argued that many of the concepts and methods employed by phenomenological geographers could now be applied in the field of media and communications, with the aim of developing what might be called a phenomenological investigation of media uses and environments.

Shaun Moores is the author of a number of influential books in Media Studies, including Interpreting Audiences (Sage 1993) Satellite Television and Everyday Life (John Libbey 1996) Media and Everyday Life in Modern Society (Edinburgh University press 2000) and most recently Media/Theory (Routledge 2005). Besides his position at Sunderland, he has also been Visiting Professor at the Universities of Rome and Melbourne.

Department of Media and Communications

Goldsmiths College - University of London - New Cross - London - SE14 6NW Tel: 020 7919 7600

Email: media-comms@gold.ac.uk http://www.goldsmiths.ac.uk/departments/media-communications/index.html

Friday, February 10, 2006

SOUTH LONDON PACIFIC Tiki Lounge Cocktail Bar

So, its a party, I am gonna be 45, and it starts at 7pm (the very happy hour actually starts at 6, so come early) on the 16th of Feb (next thursday) and goes till 12. Dancing etc.

Its in Kennington. Link for (fun) details and directions..

SOUTH LONDON PACIFIC Tiki Lounge Cocktail Bar

Wednesday, February 08, 2006

Wednesday 8 February Under Occupation: University Life in Palestine

Under Occupation: University Life in Palestine

A one hour talk and discussion session about the conditions in which university workers and students are living in Gaza and the West Bank.

Speakers:

Dan Richards: co-ordinator of Friends of Birzeit University association, talking about the Right to Education campaign in Palestine

Ahmed Masoud: a Palestinian student from Goldsmiths, talking about his experiences as an undergraduate in Gaza.

Wednesday 8 February – 12 to 1pm Small Hall/Cinema, Main Building

All welcome
Sponsored by Goldsmiths Association of University Teachers branch

Thursday, February 02, 2006

Sat 11- Feb The Sonic Space Ship (SSS)

The Sonic Space Ship (SSS)
3D multi channel sound demonstration
at the Goldsmiths SOUND PRACTICE Conference

3pm to 4pm, Saturday 11th February 2006, Recital Room, Goldsmiths Music Department

Julian Henriques
(Goldsmiths Screen School, Media and Communications Dept) http://www.goldsmiths.ac.uk/departments/media-communications/staff/henriques.php

Martyn Ware (The Illustrious Company) http://www.illustriouscompany.co.uk/index2.html

Nick Gillieron (Paul Gillieron Acoustics) http://www.pgacoustics.org/

The Sonic Space Ship (SSS) is a multi media exhibition apparatus - for immersive, intensive and interactive sensory stimulation. It is equipped with the Paul Gillieron Acoustics state of the art Surround AV sound system. Nick Gillieron demonstrates this new sixteen channel hardware and software, Martyn Ware illustrates some of the possible musical content for the system, and Julian Henriques discusses how it will be deployed to deliver the 3D sonic environment for the SSS. He will also outline the design principles of the complimentary 3D field of visualisation. This explores how auditory principles, such as harmony and rhythm, can be extruded onto the surrounding screen. The aim is to apply acoustic patterning to the medium of the moving image (as distinct from a literal sonification of images, or the visualisation of sound). The SSS is currently in development for part of e Arts Catalyst Space Soon exhibition at the Roundhouse, this September.

SOUND PRACTICE 2006
Organised by UK & Ireland Soundscape Community and the Music Department, Goldsmiths College, Saturday 11th & Sunday12th February 2006

The UK & Ireland Soundscape Community (a regional branch of the World Forum for Acoustic Ecology) was launched in 2001 with a major international conference at Dartington Hall (Sound Practice: the 1st UKISC conference on sound, culture and environments). The objectives of the conference were: to nurture our understanding and awareness of the soundscape; to report on past, current and future soundscapes; to advance the emerging interdiscipline of soundscape studies. Since then the scene has developed dramatically, and with wide ranging new initiatives and directives, yet with arguably limited scope, soundscape issues are now more firmly on the map than ever. SOUND PRACTICE 2006 provides an opportunity to take stock and reflect on many of the activities that have shaped the scene over the past 5 years. It will also provide a forum in which to discuss the future of soundscape studies and pool new approaches and practices.

PROGRAMME
Saturday, 11th February
9.30am [Small Hall]
Introduction
John Levack Drever (
Goldsmiths College)
Introduction:
UK's Pre-History of Acoustic Ecology

10.00am [Small Hall]
Key Note 1.
Catharina Dyrssen (Chalmers School of Architecture,
Göteborg, Sweden)
Model-to-model. On Design Based Experimentation With Sound Environments.

10.45am
Coffee Break

11.00am [Small Hall]
Developing Policy Context And Potential Futures
Max Dixon (Greater London Authority)

Ximena Alarcón (De Montfort University)
An Interactive Sonic Environment Based On Commuters' Memory Of Soundscape:
A Case Study Of The London Underground (work in progress)

Tsai-wei Chen (Goldsmiths College)
On the Way Home: Taipei Sojourners' Sonic Constellations in London

Peter Cusack (London College of Communication)
Soundscapes of London, Beijing and Places Between

12.45pm - 1.30pm
Lunch

1.30pm [Great Hall]
Phonography Concert
Yannick Dauby, Nick Fells, Pete Stollery, Bill Thompson, Lisa Whistlecroft,
Robert Worby & Philp Tagney

3.00pm [Recital Hall]
Julian Henriques (Goldsmiths College), Nick Gillieron (Paul Gillieron
Acoustics), Martyn Ware (Illustrious)
The Sonic Space Ship (SSS)

4.00pm [Small Hall]
Louise K Wilson (University of Derby)
A Record of Fear: Sounding Out the Cold War

Dr Paul Moore (University of Ulster)
Cross (refernc)ing the Namib

Tony Whitehead (RSPB), Becca Lawrence (Sonic Arts Network)
Sonic Postcards: A Sonic Arts Network National Education Programme Using
Our Sonic Environment As A Springboard For Creative Arts

Simon Keep
Radio Taxi

5.45pm - 6.30pm [Small Hall]
Key Note 2.
Nicolas Rémy (CRESSON: Centre de Recherche sur l'Espace Sonore et
l'Environnement Urbain, École d'Architecture de Grenoble, France)
To Design Ambiences

7.00pm
Concert [Great Hall]
Donald Bousted, Disinformation, John Levack Drever, Rob Godman, John Lely

Installations during Saturday [Locations tbc]
Thanos Chrysakis (Goldsmiths College)
Thomas Kitazawa (Goldsmiths College)
Robin McGinley (Interactive Agents)
Neil Webb

Sunday 12th February
8.00am
Sound Walk of Deptford.
[Meet by front of the Goldsmiths College Library. We will finish near at a
local establishment for those who may be interested in a hot breakfast.]

9.30am [Small Hall]
Andre Castro (Middlesex University)
Suite Vénitienne- Tuesday

Mikhail Karikis (Slade School of Fine Art)
The Acoustics of the Self

Tom Rice (Goldsmiths College)
Stethoscapes: Soundscapes Of The Body

11.00am
Coffee Break

11.30am [Small Hall]
Ruth Hawkins (Goldsmiths College)
Bodies, Distances, Double Recordings

Adrian Newton
Finding An Audience For Soundscape Composition: Working With Community-Based
Organizations

Anita McKeown (Art Services Un-incorporated)
Memphis 45s

1pm
Lunch

2pm [Small Hall]
Joe Banks
Rorschach Audio

3pm
Concluding Remarks & Discussion for UKISC members. [Small Hall]

Installations during Sunday [Locations tbc]
James Bull (Goldsmiths College)
Thomas Kitazawa (Goldsmiths College)
Dave Lawrence (Middlesex University) & GÈNIA (Markson Music Centre)
Mary Yacoob (Central St Martins College of Art)


Useful Information
All events are free!
Closest Underground Station is New Cross Gate or New Cross.

Campus Map:
http://www.gold.ac.uk/campus-map/?view=student

Music Department:
http://www.goldsmiths.ac.uk/departments/music/
.